Monday, 14 December 2015

LLM and HG: Pitch

This is our presentation of our concept that we presented in class :

Group: Pitch Feedback
Feedback
  • The films we used to gather ideas were very positive and linked into our main concept of the film.
  • The shots that we are going to use seem to be very conventional of our sub-genre which the pitch audience were able to identify.
  • The use of animals in our short clip is seen to be very creative and the audience like this idea.
  • The build-up of tension and suspense through the use of sound is used to great effect; it’s just choosing the right sound in the correct places which is key.
  • The idea of using red herrings to create distractions for the protagonist, and lead him in different directions around the house, is very imaginative.
  • The simplicity of the film could be very effective if the camera, editing and sound techniques are used correctly to back up the action of the film.
Next steps
The ideas provided to us after the pitch, is to make sure we are using the correct characters in our film, ensuring  we make the protagonist seem vulnerable and the antagonist seem dominant. Further, we have been told to make sure we film at the correct time, as the darkness distorts the camera shots

Thursday, 10 December 2015

HG: Technical analysis

 
The Hatchet - The death scene
 
Summary of what I have learnt:

I have learnt conventional camera techniques of the slasher horror. This is the use of the POV shot which allows the audience to see the view of the antagonist. This helps to create tension and to see the antagonist from a different view. I have also learnt how music both diegetic and non diegetic can be used within a film to create tension. Diegetic sound can be used in the film in the form of a scream ( very conventional of the horror genre) and also how non-diegetic sound can be used in the scene, this can be through string instruments and can build tension by the music getting louder. Editing that I have looked at shows me that a fast cutting rate can increase tension and in my film I think the use of sound and editing is the techniques we need to concentrate the most on as they are the most effective way of conveying of sub genre of slasher.

 Camerawork
Duration  (seconds)
 Analysis
 
A two shot , mid-close up
 
 
0-8
 A man is being carried by the women, using the mid close up allows the audience to see the emotions on the face of the two characters as well as seeing the scene around them.
 
 
8-10
A man tries to take charge “ we need to stay together” this shows that they are endangered. The clothes are informal and position him with the line of thirds.
A two shot , mid close up
 
10-12
 It then refers back to man in need with the women carrying him. There are just 2 people in frame.
POV Handicam
 
12- 15
A POV handicam camera technique is used to show the point of view of the character.
 
 
15-21
The diegetic sound of heavy breathing suggests they have been running or they are extremely scared of something.
Over the shoulder / long shot
 
21-24
This shows the two characters from behind. You can see the t-shirt is ripped which suggests that violence had been used. This creates tension and then quickly cuts to the next shot.
Mid-close up
24-25
 
The monster appears the external location is a forest and the mid close up allows us to see the monster for the first time.
 
 
Long shot
25-27
 
You can see all the civilians looking at the monster, the long shot captures everyone in the scene and shows still shows the expressions on all their faces
 
Mid-close up
27-28
 
This is shot where we can see the protagonist having a gun, this shows the audience they are trying to kill this monster
 
 
Mid-close up
28-29
 
The monster starts to run, but then re enters the cave again. The mid close up lets the audience see the monster quickly hence the quick cut rate after this shot
 
Mid – close up , two shot
29-30
 
Refers back to man and women showing the audience how scared they are and then quickly cuts to the next shot
 
 
Long shot
30-31
 
 
 
 
 
 
We see the monster come out of a cave. Its clothes are all ribbed and the diegetic sound of the monster is loud scaring the others characters in the scene
 
Close up
 
31-32
This has an iconic prop ( axe)  and the close up of the axe going into the neck lets you see the gore.
Close up
32-34
 
Another close up lets the see blood that is all over him after the axe has hit him. The diegetic sound is the women screaming. The blood and screaming is iconic to this genre
Mid close up
34-36
 
This shows the other people in the scene running away from the monster. The quick constant cuts shows panic as a result of the monster
 
Close up
 
 
 
36-37
The monster strikes the male character again, blood splatters all over his face quickly cuts to the next shot.
Low angle
37-38
When the blood splats in the previous shot, a low camera angle shows the monster which is given him prevalence in the scene.
 
Mid-close up
 
 
39-39
The diegetic sound of the women screaming and the mid-close up her screaming helps to show the distress they are in.
 Mid close up
39-40
We see a black page then an axe is raised and  blood is dripping from it and then go outs the shot again. There is also diegetic sound of a scream when the axe is seen in the shot.
Close up
42-44
There is again a close up  again of the axe covered in blood hitting the shoulder of the man splitting his shoulder and blood is pouring out
Long shot
44-46
 A women is standing there with a gun, the long shot lets us see the other running away.
360 pan
46-56
The women runs away from the monster, the monster catches her and rips her head off, the audience sees it through a 360 pan camera technique
Side view
56-58
The monster is seen covered in blood  with huge claws  carries on ripping the his head off.
Long shot
58 – 1.03
You can see the women run and get the gun and shoot the monster. The stereotype of gender is challenged here as a women is shooting the gun.
 
1.03-1.06
The monster falls and dies. The audience are seen the be relieved.
Low canted angle
1.06-1.09
Gives the women with the gun prevalence and you see the monster fall to the floor
Mid close up
1.09-1.10
See the women run away after she has just run away.
Long shot
1.10-1.12
Seethe monster on the floor. The non-diegetic sound is loud and creates tension, but also release tension as it shows they didn’t all get killed by the monster so they are alive.

Monday, 7 December 2015

LLM: Technical analysis

 
 
Summary of what I have learnt
In this task I have gathered that I should use a range of different camera techniques to convey the slasher sub-genre of the horror film genre. The key techniques I should use are; the POV shot; Handicam shot; long shot; and close-ups. The POV shot builds up tension very well as it creates a fright factor for the audience who are able gain an understanding of the characters perspective. The handicam displays a sense of presence with the character and causes jeopardy which the audience can identify. The long shot and close-up contrast each other; the long shot shows the surroundings of the character, and where they are, whereas the close up shows their emotions in response to something. This links into an important edit that caught my intention, which was the shot reverse shot; this technique is key because it shows the reactions of two characters after actions have occurred.





Sound

Silence is very effective in this clip of 'The Strangers'; it is used to build up suspense and tension and further used as a scare factor for Liv. Liv is sitting in the corner of the room and is listening quietly to what could be out there. The diegetic sound of Liv's breathing is also very important as it illustrates her fear, and as she builds up to walking to the window, her breathing gets louder and faster because of her anxiousness. Furthermore, the diegetic sound of the recod turning on at the peak of the action has an impact on the building of fear on the Liv, creating an enigma code as to why music is being turned on when she has just looked at the antagonist outside the window.

Editing

The Shot/Reverse shot is used to great effect in this clip, it occurs when Liv opens the window were she has recognised the noise, and as she opens the window the antagonist is standing right there; the shot shows this, and then shows the reaction of Liv, which is a loud scream of fear, and then shoots back to the antagonist who places his palm on the window which causes Liv to turn and run. Continuity editing is also present when Liv runs into another room of the house and the edit is creating the illusion of reality (verisimilitude).

Mise-en-scene

The use of Props is key in this extract; Liv is seen to be holding a knife for defence. The role the prop plays is to show even though she is has control of the knife, she is still being terrorised and is in jeopardy; this is shown when the antagonist puts his palm on the window showing he has no prop to fright Liv, and so the knife is of no use to her. Further, the masks that the two antagonists use in this sequence is very effective as it creates a fright factor and intimidate Liv.

Sunday, 6 December 2015

LLM and HG: Treatment


Who’s Next?

Synopsis

It is night, very dark and quiet, a man dressed in a suit is walking home from work. There is an uneasy feel whilst walking and the male begins to feel like he is being followed; he walks briskly towards the house. He opens the door and hangs up his suit jacket, he then shuts the door but doesn’t notice a male antagonist standing in the kitchen as the light flashes on to the slender figure…

The door shuts, and the man walks towards the kitchen to begin making his dinner; in doing so he briefly glances out the window and believes he sees a hidden figure in the shadows of the garden. He wanders outside to take a better look; he walks slowly and carefully being cautious and feeling anxious about what it could be that he saw. He opens the door to the outside, but doesn’t see anything, just the outside light shining brightly onto the gentle garden. The male character returns to house rapidly and shuts the door, the moment the doors shuts completely, the phone rings, the male character approaches the phone and picks it up slowly, he doesn’t answer, he just listens; quiet breathing is heard on the other end on the phone, and then the phone is put down. The male is now getting worried but tries to ignore the situation.

The man continues round the house to turn lights on, putting his mind at rest; the last lamp is in the corner of the living room right next to the window that looks out onto the street. Again the male character believes he sees another unknown figure when going to turn on this light and this time decides to take no chances; rapidly running round the house, he locks all the doors. Without noticing, the garage door is unlocked and he passes it, avoiding locking it. He then runs upstairs to look out the windows down on the street; the first two windows looked out of, he sees nothing, but as he looks out the final window, his bedroom window, the figure is in another location which he spots clearly.

The unlocked garage is then opened gently, and a figure appears. He walks through the house going through each different room; when walking through the rooms the lights unexpectedly turn off, making the house have an isolated feel. The antagonist walks upstairs quietly towards the fearful character that is still looking out the window concentrated on the frozen figure standing unmoved in the street. The antagonist has now reached the same room, the light turns of and the male protagonist realises and turns round shocked, he sees the antagonist standing tall and slender in front of him, and the screen goes black…

The title appears ‘Who’s next’ in bold red letters on a black background

An establishing shot is then shown of the same house but during a clear day, and writing appears reading ‘3 days earlier’.
 
 

Wednesday, 2 December 2015

LLM and HG: Concept development #2

 Concept development

Opening Sequence Plot  Timeline:




  1.  Male walking home alone , feels followed
  2. Enters house and begins to make dinner - looks out of window and thinks he can see a figure
  3. Goes outside to have a better look but the figure disappears
  4. Re-enters house and phone rings - picks up phone but no one answers
  5. Runs around the house rapidly starts to lock the doors
  6. Then he sees another mysterious figure out the front window... runs upstairs quickly
  7. Antagonist the comes out from the garage which is unlocked - he begins to walk upstairs to where the male is looking out the windows to see if anything is coming
  8. Antagonist approaches protagonist but then there is a flash back to the  beginning